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Circasciences takes to the stage in Bordeaux: understanding the science behind the show
Circasciences takes to the stage in Bordeaux: understanding the science behind the show

The exhibition *Circasciences en piste*, organised by Cap Sciences, is part of an initiative to bring advanced science to the general public through the lens of the circus arts. The exhibition design features a series of interactive installations that allow visitors to analyse the physical mechanisms employed by performers during their acts. This educational approach transforms a fun experience into a genuine scientific laboratory accessible to the general public.

Located on the quays of Bordeaux, right next to the Cité du Vin, this exhibition benefits from a strategic position within a well-established tourist ecosystem. This location makes it easy to incorporate into a wider urban discovery itinerary, particularly through organised tours.

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Exhibition – Around the world in 50 wine regions

The Cité du Vin is hosting the exhibition Around the World in 50 Wine Regions, a visual journey dedicated to the diversity of international wine-growing regions. This programme showcases a selection of photographs from partner regions, each of which has chosen an iconic image to embody its landscape, people or heritage.

The curatorial approach is based on a cross-sectional interpretation of the vineyards, without geographical hierarchy or strict technical classification. The photographs interact with each other through three major themes:

    • the morphology of wine-growing landscapes,
    • the representation of professional gestures
    • and the historical roots of the terroirs.

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Wine exhibition
Exhibition at the MusBA (2015–2025)
Exhibition at the MusBA (2015–2025)

An immersion into ten years of artistic enrichment

The musée des beaux-arts de Bordeaux offers a renewed interpretation of its collections through the exhibition “Passions collections,” structured around a body of works acquired over a full decade. This curatorial approach highlights not only rarely displayed pieces but also the scientific and heritage-driven logic behind public acquisitions. The exhibition design follows a precise museographic framework aimed at illustrating how a collection evolves through institutional decisions and art market opportunities.

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